-
$34.00
A soft, structured tee made from 100% organic cotton — breathable, durable, and effortlessly cool. The ribbed collar and clean lines give it a timeless, unfussy look. Certified under GOTS and OCS standards.
Weird, bold, and visually loaded with history — these symbols were once stamped into 19th-century tableware made from base metals like pewter, iron, or nickel silver.
They come from a chaotic world of manufacturing where makers, wholesalers, and retailers all had their own marks — sometimes on the same object. These graphic fragments once lived on knife handles, serving trays, and other everyday goods. Now they’re on your chest instead of under your fork.
-
$40.00
Plate XLVI (1764) by Martin Frobenius Ledermüller
A hand-colored microscope study of the upper surface of a pear leaf, drawn from Amusement microscopique — a richly illustrated 18th-century exploration of the natural world.
The intricate, geometric network of pores and cells is compared to human skin, nerves, and blood vessels — a visual argument for nature’s hidden complexity.
This plate reflects a deep curiosity about structure and design, even in the smallest living things.
Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 11”x14” with a custom, irregular white border.
-
$40.00
A microscopic look at a single fish scale — from a humble merluche — transformed into a hypnotic, radiating pattern.
Originally plain to the eye, it reveals an unexpected order and symmetry under magnification.
Ledermüller described it as visual proof of the sublime in the smallest things — beauty by design, not accident.
Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 11”x14″ with a 1″ white border.
-
$40.00
Plate XL (1764) by Martin Frobenius Ledermüller
A magnified comparison between a needle and a bee’s stinger, shown still encased in its sheath.
This hand-colored engraving from Amusement microscopique highlights the surprising flaws of manmade tools versus the intricate precision of natural ones.
Ledermüller’s goal was both scientific and philosophical — nature, he argues, wins.
Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 11”x14” with a custom, irregular white border.
-
$40.00
A microscope study of the optic nerve of a calf, showing its tightly packed fibers in cross-section and peeled layers.
From volume two of Amusement microscopique, this plate draws comparisons between nerve structures and tiny vessels — a visual exploration of anatomy, perception, and what early scientists called the “vital spirit.”
The engraving is both diagrammatic and strangely elegant.
Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 11”x14″ with a 1″ white border.
-
$42.00 – $54.00Price range: $42.00 through $54.00
Color Interaction Diagrams (from Color: A Handbook of the Theory of Color, George Henry Hurst, early 20th century)
One of several teaching plates from a practical guide to color theory for artists, printers, and dyers.
This chart explores how overlapping shapes affect color perception — with crisp circles, rotated squares, and a radiating wheel of sliced hues.
Simple on the surface, but part of a much deeper conversation about how we see and combine color.
Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 11” x 17” with a .5″ white border along the top and sides, and .82” border at the bottom, or 16×24 with 1” border.
-
$54.00 – $68.00Price range: $54.00 through $68.00
A stylized floral composition with bold, graphic shapes and bright, colorful tones.
The design blends Art Nouveau elegance with a flat, almost woodcut-like execution.
It stands out for its unusual color palette and decorative symmetry.
Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 16”x24″ or 24″x36″ with a 1″ white border.
-
$40.00 – $52.00Price range: $40.00 through $52.00
A quiet, offbeat floral by American modernist Charles Demuth — rendered in watercolor and pencil, this 1915 study of zinnias pulses with soft surrealism and muted intensity.
Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 14″x11″ or 20″x16″ with a 1″ white border.
-
$54.00
A hypnotic 1944 map tracing the Mississippi River’s ancient, looping paths — beautifully cropped to highlight its abstract forms. Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 16″ × 24″ with a custom border sizing (unique to this piece).
-
$54.00
A hypnotic 1944 map tracing the Mississippi River’s ancient, looping paths — beautifully cropped to highlight its abstract forms. Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 16″ × 24″ with a custom border sizing (unique to this piece).