Everything

  • 30568681-52ce-47a6-b7b1-5311e43e5ae3

    Sagartia nivea, S. miniata, S. troglodytes, S. parasitica

    $42.00

    These vivid sea anemone illustrations come from Actinologia britannica (1860), a groundbreaking study of marine life by Philip Henry Gosse—naturalist, aquarium pioneer, and master of the weirdly beautiful. Rich in detail and color, these prints capture the surreal elegance of coral reefs and tidepool creatures with a Victorian eye for structure and wonder. Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 11”x17″ with a 1″ white border.

  • Actinia mesembryanthemum, A. chiococca, Sacartia chrysosplenium

    Actinia mesembryanthemum, A. chiococca, Sacartia chrysosplenium

    $42.00

    These vivid sea anemone illustrations come from Actinologia britannica (1860), a groundbreaking study of marine life by Philip Henry Gosse—naturalist, aquarium pioneer, and master of the weirdly beautiful. Rich in detail and color, these prints capture the surreal elegance of coral reefs and tidepool creatures with a Victorian eye for structure and wonder. Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 11”x17″ with a 1″ white border.

  • Lophohelia prolifera, Peachia triphylla, Sphenotrochus wrightii, S. macandrewanus

    Lophohelia prolifera, Peachia triphylla, Sphenotrochus wrightii, S. macandrewanus

    $42.00

    These vivid sea anemone illustrations come from Actinologia britannica (1860), a groundbreaking study of marine life by Philip Henry Gosse—naturalist, aquarium pioneer, and master of the weirdly beautiful. Rich in detail and color, these prints capture the surreal elegance of coral reefs and tidepool creatures with a Victorian eye for structure and wonder. Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 11”x17″ with a 1″ white border.

  • Sagartia troglodytes, S. viduata, S. pallida, S. pura, Adamsia palliata

    Sagartia troglodytes, S. viduata, S. pallida, S. pura, Adamsia palliata

    $42.00

    These vivid sea anemone illustrations come from Actinologia britannica (1860), a groundbreaking study of marine life by Philip Henry Gosse—naturalist, aquarium pioneer, and master of the weirdly beautiful. Rich in detail and color, these prints capture the surreal elegance of coral reefs and tidepool creatures with a Victorian eye for structure and wonder. Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 11”x17″ with a 1″ white border.

  • Plate XXXII – Eyes of the Universe

    Plate XXXII – Eyes of the Universe

    $34.00

    A visionary glimpse into 18th-century cosmology, this hypnotic engraving by English astronomer Thomas Wright imagines the universe as a network of concentric star systems—each eye-like form possibly representing another galaxy.

    First published in An Original Theory or New Hypothesis of the Universe (1750), this piece blends science, speculation, and symbolism in striking detail.

    Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 8″x12″ with a 1″ white border.

  • e8577722-7294-4d42-9c84-ac3bd49ea557

    The Four-Toed Manis

    Price range: $42.00 through $54.00

    Is it a pinecone? Is it a dragon? Nope. It’s a pangolin. This beautifully weird creature is the four-toed manis, illustrated in 1789 by English zoologist George Shaw and artist Frederick P. Nodder. Featured in The Naturalist’s Miscellany, this vintage print brings rare charm and a little bit of armored elegance to your walls.

    Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 11”x17″ or 16″x24″ with a 1″ white border.

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  • abstract green sky and bird wall art print

    Ivy Clouds and Swallows

    Price range: $40.00 through $52.00

    Ivy Clouds and Swallows (c. 1900)

    Is it a sky full of clouds pretending to be plants? Or plants pretending to be clouds? Either way, the birds don’t seem to mind. A delightfully odd, subtly surreal scene from Japanese painter Watanabe Shōtei, master of calm whimsy and delicate detail.

    Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 11”x14” with a custom, irregular white border. (.5” on sides; .786” top and bottom) or 16” x 20” with .5” border on top and bottom, and 1.11” on either side.

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  • Cyclops - 15 oz Mug

    Cyclops – 15 oz Mug

    $22.00

    A not-too-big, not-too-small kind of mug. At 15 ounces, it holds just enough caffeine to get you through your first existential crisis of the day. Sturdy, glossy, and microwave + dishwasher safe.

    Features a 19th-century stamp once pressed into pewter and nickel silver to mark the maker. Now it marks your caffeine vessel instead.

  • Ajax - 15 oz Mug

    Ajax – 15 oz Mug

    $22.00

    A not-too-big, not-too-small kind of mug. At 15 ounces, it holds just enough caffeine to get you through your first existential crisis of the day. Sturdy, glossy, and microwave + dishwasher safe.

    Features a 19th-century stamp once pressed into pewter and nickel silver to mark the maker. Now it marks your caffeine vessel instead.

  • Genius - 15 oz Mug

    Genius – 15 oz Mug

    $22.00

    A not-too-big, not-too-small kind of mug. At 15 ounces, it holds just enough caffeine to get you through your first existential crisis of the day. Sturdy, glossy, and microwave + dishwasher safe.

    Features a 19th-century stamp once pressed into pewter and nickel silver to mark the maker. Now it marks your caffeine vessel instead.

  • Tiger - 15 oz Mug

    Tiger – 15 oz Mug

    $22.00

    A not-too-big, not-too-small kind of mug. At 15 ounces, it holds just enough caffeine to get you through your first existential crisis of the day. Sturdy, glossy, and microwave + dishwasher safe.

    Features a 19th-century stamp once pressed into pewter and nickel silver to mark the maker. Now it marks your caffeine vessel instead.

  • Well Done - 15 oz Mug

    Well Done – 15 oz Mug

    $22.00

    A not-too-big, not-too-small kind of mug. At 15 ounces, it holds just enough caffeine to get you through your first existential crisis of the day. Sturdy, glossy, and microwave + dishwasher safe.

    Features a 19th-century stamp once pressed into pewter and nickel silver to mark the maker. Now it marks your caffeine vessel instead.

  • All Good - 15 oz Mug

    All Good – 15 oz Mug

    $22.00

    A not-too-big, not-too-small kind of mug. At 15 ounces, it holds just enough caffeine to get you through your first existential crisis of the day. Sturdy, glossy, and microwave + dishwasher safe.

    Features a 19th-century stamp once pressed into pewter and nickel silver to mark the maker. Now it marks your caffeine vessel instead.

  • Is This a Cow? - 15 oz Mug

    Is This a Cow? – 15 oz Mug

    $22.00

    A not-too-big, not-too-small kind of mug. At 15 ounces, it holds just enough caffeine to get you through your first existential crisis of the day. Sturdy, glossy, and microwave + dishwasher safe.

    Features a 19th-century stamp once pressed into pewter and nickel silver to mark the maker. Now it marks your caffeine vessel instead.

  • Perfection – 15 oz Mug

    Perfection – 15 oz Mug

    $22.00

    A not-too-big, not-too-small kind of mug. At 15 ounces, it holds just enough caffeine to get you through your first existential crisis of the day. Sturdy, glossy, and microwave + dishwasher safe.

    Features a 19th-century stamp once pressed into pewter and nickel silver to mark the maker. Now it marks your caffeine vessel instead.

  • Well Done - Unisex Fit

    Well Done – Unisex Fit

    $34.00

    A soft, structured tee made from 100% organic cotton — breathable, durable, and effortlessly cool. The ribbed collar and clean lines give it a timeless, unfussy look. Certified under GOTS and OCS standards. Weird, bold, and visually loaded with history — these symbols were once stamped into 19th-century tableware made from base metals like pewter, iron, or nickel silver. They come from a chaotic world of manufacturing where makers, wholesalers, and retailers all had their own marks — sometimes on the same object. These graphic fragments once lived on knife handles, serving trays, and other everyday goods. Now they’re on your chest instead of under your fork.

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