A not-too-big, not-too-small kind of mug. At 15 ounces, it holds just enough caffeine to get you through your first existential crisis of the day. Sturdy, glossy, and microwave + dishwasher safe. Features a 19th-century stamp once pressed into pewter and nickel silver to mark the maker. Now it marks your caffeine vessel instead.
A not-too-big, not-too-small kind of mug. At 15 ounces, it holds just enough caffeine to get you through your first existential crisis of the day. Sturdy, glossy, and microwave + dishwasher safe.
Features a 19th-century stamp once pressed into pewter and nickel silver to mark the maker. Now it marks your caffeine vessel instead.
A not-too-big, not-too-small kind of mug. At 15 ounces, it holds just enough caffeine to get you through your first existential crisis of the day. Sturdy, glossy, and microwave + dishwasher safe.
Features a 19th-century stamp once pressed into pewter and nickel silver to mark the maker. Now it marks your caffeine vessel instead.
A not-too-big, not-too-small kind of mug. At 15 ounces, it holds just enough caffeine to get you through your first existential crisis of the day. Sturdy, glossy, and microwave + dishwasher safe.
Features a 19th-century stamp once pressed into pewter and nickel silver to mark the maker. Now it marks your caffeine vessel instead.
Start your day with a reminder that life doesn’t have to be serious—it can be so fun.
This bold, colorful mug brings instant cheer to your morning coffee, tea, or whatever keeps you fueled.
The simple design and bright typography make it a joyful staple in your kitchen (or the perfect gift for someone who could use a daily dose of fun).
Thistles, Butterflies, and a Lizard — Abraham Begeyn (Dutch, 1637–1697)
A quietly dark Dutch still life from the 17th century — thistles at full thorn, two delicate butterflies, and one excellent lizard caught mid-scurry.
Painted by Abraham Begeyn, a Dutch Golden Age painter whose career spanned Rome, Naples, London, and Berlin (and who reportedly died of painterly competition — a deeply on-brand exit).
A flattering, fitted tee made from 100% organic cotton — soft, breathable, and slightly stretchy. The ribbed collar and curved silhouette give it a more tailored feel without sacrificing comfort. Certified under GOTS and OCS standards.
Weird, bold, and visually loaded with history — these symbols were once stamped into 19th-century tableware made from base metals like pewter, iron, or nickel silver. They come from a chaotic world of manufacturing where makers, wholesalers, and retailers all had their own marks — sometimes on the same object. These graphic fragments once lived on knife handles, serving trays, and other everyday goods. Now they’re on your chest instead of under your fork.
A soft, structured tee made from 100% organic cotton — breathable, durable, and effortlessly cool. The ribbed collar and clean lines give it a timeless, unfussy look. Certified under GOTS and OCS standards.
Weird, bold, and visually loaded with history — these symbols were once stamped into 19th-century tableware made from base metals like pewter, iron, or nickel silver.
They come from a chaotic world of manufacturing where makers, wholesalers, and retailers all had their own marks — sometimes on the same object. These graphic fragments once lived on knife handles, serving trays, and other everyday goods. Now they’re on your chest instead of under your fork.
A flattering, fitted tee made from 100% organic cotton — soft, breathable, and slightly stretchy. The ribbed collar and curved silhouette give it a more tailored feel without sacrificing comfort. Certified under GOTS and OCS standards.
Weird, bold, and visually loaded with history — these symbols were once stamped into 19th-century tableware made from base metals like pewter, iron, or nickel silver. They come from a chaotic world of manufacturing where makers, wholesalers, and retailers all had their own marks — sometimes on the same object. These graphic fragments once lived on knife handles, serving trays, and other everyday goods. Now they’re on your chest instead of under your fork.
A soft, structured tee made from 100% organic cotton — breathable, durable, and effortlessly cool. The ribbed collar and clean lines give it a timeless, unfussy look. Certified under GOTS and OCS standards.
Weird, bold, and visually loaded with history — these symbols were once stamped into 19th-century tableware made from base metals like pewter, iron, or nickel silver.
They come from a chaotic world of manufacturing where makers, wholesalers, and retailers all had their own marks — sometimes on the same object. These graphic fragments once lived on knife handles, serving trays, and other everyday goods. Now they’re on your chest instead of under your fork.
A flattering, fitted tee made from 100% organic cotton — soft, breathable, and slightly stretchy. The ribbed collar and curved silhouette give it a more tailored feel without sacrificing comfort. Certified under GOTS and OCS standards. Weird, bold, and visually loaded with history — these symbols were once stamped into 19th-century tableware made from base metals like pewter, iron, or nickel silver. They come from a chaotic world of manufacturing where makers, wholesalers, and retailers all had their own marks — sometimes on the same object. These graphic fragments once lived on knife handles, serving trays, and other everyday goods. Now they’re on your chest instead of under your fork.
A soft, structured tee made from 100% organic cotton — breathable, durable, and effortlessly cool. The ribbed collar and clean lines give it a timeless, unfussy look. Certified under GOTS and OCS standards.
Weird, bold, and visually loaded with history — these symbols were once stamped into 19th-century tableware made from base metals like pewter, iron, or nickel silver.
They come from a chaotic world of manufacturing where makers, wholesalers, and retailers all had their own marks — sometimes on the same object. These graphic fragments once lived on knife handles, serving trays, and other everyday goods. Now they’re on your chest instead of under your fork.
Geometria et Perspectiva – Plate 11 (1567)
An intricate Renaissance print featuring surreal ruins, scrollwork, and geometric forms. Originally created by Lorenz Stoer in 1567 for wood inlay artists, but looks like it could’ve been drawn yesterday.
Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 16”x24″ with a 1″ white border.
Geometria et Perspectiva – Plate 9 (1567) An intricate Renaissance print featuring surreal ruins, scrollwork, and geometric forms. Originally created by Lorenz Stoer in 1567 for wood inlay artists, but looks like it could’ve been drawn yesterday.
Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 16”x24″ with a 1″ white border.
Romuald Kamil Witkowski, 1931
Split coconuts, pared down to their essentials. This 1931 still life sits right at the edge of realism and early modern form — warm tones, simplified shapes, and a quiet sense of structure.
Witkowski trained in Krakow and worked in Warsaw, part of a generation of artists moving away from traditional detail toward something more distilled.
Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 14”x11″ with a 1″ white border.
Romuald Kamil Witkowski, 1932
Rhythmic, structured, and just abstract enough — this 1932 still life brings weight and geometry to a humble subject. Those ridges and shadows suggest a modernist eye, with a clear nod to Cubist influence.
Witkowski’s work often balances classical training with simplified form, and this is a clean, confident example.
Printed as a museum-quality giclée on matte fine art paper (200gsm), using rich 12-color ink. Unframed. 11”x14″ with a 1″ white border.